Now is a great time to mention that Soundfly is currently hard at work developing our own Mainstage course in scoring to picture, due to launch later this year. If you’re interested in being notified when the course launches, just sign up for our mailing list and you’ll be the first to know. In the mean time, we have loads of other online courses that might suit your interests, as well as a team of Soundfly Mentors experienced in composition and arranging!
“The worlds were getting larger and the thoughts deeper. For the first half of the 20th century most listeners to radio or records experienced the Chaconne not as a set of violin variations, or as the final movement of a suite, but as a stand-alone monument in either the Busoni or the Stokowksi versions — slow, deep, terrifying, primordial.
“My experience with Soundfly was beyond expectations. When I enrolled the class I didn’t know how great the class would be designed and how personalized it would be! I really appreciated to have a mentor, I felt supported and pushed to reach my goals. Sırma is incredible! Every time I received an e-mail from her I was excited to read her feedback!”
Gangsta rap artists
We cover a lot of musical topics between the editorial content here on Flypaper, our newsletter Soundfly Weekly, our mentored online courses, and our customized project-oriented mentorship sessions on Soundfly. Yet no matter what area of composition, production, performance, or business we’re talking about from one day to the next, we find that what links most modern musicians in their drive to learn more and expand their skills and opportunities today is the need to develop a better grasp on home recording.
One of my projects for this summer is to realize my decades-old ambition to learn how to scratch. I borrowed a Korg Kaoss DJ controller from a friend, downloaded Serato, and have been fumbling with it for a week now. The Kaoss DJ leaves much to be desired. The built-in Kaoss Pad is cool, but otherwise it’s too small and finicky. I will definitely want to upgrade to something with big, chunky buttons and more haptic feedback in general. Still, the Kaoss DJ is enough to get started with.
We’re going to go with the second route today, but everyone’s workflow is different so feel free to experiment. If you’re looking to get a bit more out of this versatile DAW — how to compose, record, edit, mix, add effects, and develop shortcuts and personalized methods in the process — definitely check out Soundfly’s mentored online course, Intro to Making Music in Logic Pro X. Otherwise, let’s get started!
If you think through what music your listener was likely exposed to as a child, you can easily figure out how to write to job their nostalgia response. But it’s important to remember that “nostalgia” can also be associated equally with sentiments of sadness and loneliness as it can joy and comfort. As a composer, this is where it becomes important to play with instrumentation, timbre, and tempo, in order to get the right balance.
Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.
Grants for arts organisations
The Guild Cinema has a variety of movies to choose from, especially cool musical documentaries like A Band Called Death and Heart of a Dog. If you are a movie aficionado, try this place first before you try the bigger chains. You’ll be surprised at how low key and enjoyable this locally owned theater is! And don’t forget the popcorn seasoning.
It’s important to note that I’m not a banker, realtor, or CPA. This is just my perspective and understanding. Before making a big purchase like this, be sure to talk to a professional. Every situation is different, even if the broad strokes may be similar. But hopefully this post has helped equip you with some knowledge to be prepared and get the loan you need.
Early in my career as an electric bassist, I was hired to play in a wedding band. Right off the bat, this meant adding thirty or so tunes from Billboard’s holy list to my existing repertoire in about three days’ time. That first gig went pretty well, and with a few hours of having new material under my belt, I figured I was through the thick of it… but no. The coming months saw a stream of strangers’ special days, each of which came with its very own, personalized collection of “Today’s Hits.” For a while there, I was learning tunes in real time (and thanks to some off-the-setlist song requests, there were definitely times when that was happening in a very literal sense). Unsurprisingly, the experience made my ear more accurate and even enhanced my melodic and harmonic vocabularies.
Speaking of international recognition, while they may not be an electronic group, per se, Kokono No.1’s approach to technology is reminiscent to early Suicide records, and they exist in a world of their own. At the core of their sound is three electric likembé combined to make a single instrument that is then amplified through home made speakers that illuminates its sound with cracks, pops, and hisses. Their frenetic energy and multitude of singers on each track makes you feel as if you’ve stumbled across them on the streets of Kinshasa.
For many of us, creating works of art takes a certain level of inspiration and solitude — time to reflect and a surrounding environment that suits our mental well-being. Whether we’re composing, songwriting, or producing music and sound, the act of creation is often at its best when it’s organic.