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If you play two notes at a time, they will be connected by an orange line. If you play three or more notes at a time, they will form an orange shape. These geometric visualizations are meant to support and complement your aural understanding of intervals and chords, the way that they do with rhythms on the Groove Pizza.

The Guild Cinema has a variety of movies to choose from, especially cool musical documentaries like A Band Called Death and Heart of a Dog. If you are a movie aficionado, try this place first before you try the bigger chains. You’ll be surprised at how low key and enjoyable this locally owned theater is! And don’t forget the popcorn seasoning.

An interval is simply the distance between two notes. We classify intervals in two ways— by quantity and by quality. Quantity tells us roughly how far apart the notes are on the scale; and quality tells us more about the unique sound of the interval or which scale it’s pulling from.

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Cyrus started the sexually (and psychedelically?) charged performance with her song “We Can’t Stop” and was joined onstage by Thicke to perform his song “Blurred Lines,” the video for which featured nude models walking around a studio. During this televised barrage of near-nude twerking and tongue-flashing, apparently a record-setting 306,000 tweets were being published every minute.

This post is part of Flypaper’s Home Recording Week, where we’re sharing tips and insights from our community on home recording and production workflow. Read our featured articles here, or sign up for our weekly newsletter to make sure you never miss a beat!

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

Of course, you don’t need to know whether your listener wears a raincoat or a windbreaker. You just need to know your listener’s musical experiences, and that’s not that hard to figure out! You can base a lot of that off educated guesses if you know both the target audience you’re writing for, and the basic context of the show or film’s fictional world.

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Well, depending on how comfortable you are, inviting guests into your closet where you may or may not have clothes could be a difficult task. Try to find a spot that is softly furnished and quiet. Bars, for example, are not ideal for interviews. You’ll also ideally need a second microphone if the premise of your podcast is interviews. This complicates things slightly and you may have to delve a little deeper into your pockets. Be aware of your acoustic surroundings; it will save you time and money in the long run.

NBS allows you to see who is interacting with you on social media, even breaking down the information further to reveal how many men versus women are mentioning you or retweeting you on Twitter. Knowing who is not only a fan but who has taken the extra step to interact with you online is incredibly powerful information — potentially indicating who might be your next community of superfans, or superfans-in-the-making!

With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.

Our in-house music business guru, Jay Coyle, has managed crowdfunding and direct-to-fan campaigns for bands like the Barenaked Ladies, Veruca Salt, and the Presidents of the United States of America (to name a mere handful). He always instructs his clients to be themselves and share their stories genuinely when communicating with their fanbases.

A further fragmentation of the material brings us to (d.). This rhythmic cell is then chopped into (d1.) and (d2.), which reinforces the sense of urgency. All this material is also subject to octave displacement and expansion of registers (0:59 onwards): From a low A3, the fragments are interspersed with notes in the upper octaves (A4, A5). The note A6 is presented as an interval of an octave (A5 and A6) with a leap in register (1:31).