Another idea when crafting your narrative is to tie in your interests and passions. How do your interests shape who you are as an artist and the decisions you make?
The combination of footage and rain special effects means it’s not one of the cheaper video productions on this list, but it is an excellent example of a music video that ticks all the boxes. It has stunning visuals that adhere to the song’s meaning and a gripping, unique storyline.
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The sound of blues is predominantly the relationship between the major and minor 3rd, and the tritone. Dorian is perfect for blues music because it blends so well with the pentatonic scale, offering combinations of both. Plus, the distance between the minor 3rd and major 6th present in Dorian is also a tritone!
So far, we’ve kept to pretty mainstream pop tunes, but when we start to move away from those, things can get murky pretty quickly. For instance, while verses and choruses might be easy to recognize in a big pop anthem, how they function in an electronic dance song might not be as clear. Or how would you describe the form of something like “A Day in the Life” by The Beatles? It’s basically two entirely separate songs smashed together, so there’s no obvious “verse” or “chorus” section. Same thing with Travis Scott’s “Sicko Mode,” but for three songs’ worth!
If it weren’t for this music video (directed by Mark Kohr), there probably wouldn’t have been the success of the Offspring, Sum 41, or Blink-182. It encouraged a slew of youngsters to go out and get Fender Stratocasters (or knock-offs) and cover the darn thing with stickers. If it weren’t for Green Day, I probably wouldn’t have done the same thing as a young guitar player.
The bariolage part isn’t only exciting because of the chromaticism — all those repeated A’s are intense too, in a way that doesn’t come across fully in MIDI form or played on a piano. On violin, you’re not just hammering the same note over and over. You’re really playing two different notes that are both very close to being A — you alternate between the open A string and the D fingered at the equivalent of the seventh fret in the guitar. These two A’s are a little out of alignment with each other.
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
Native american museum grants
The Dorian mode is spelled: 1 2 ♭3 4 5 6 ♭7; or, in steps: whole, half, whole, whole, whole, half, whole. It’s frequently employed by jazz, soul, and rock soloists, and can be found in the “jam sections” of tons of classic rock and jazz tunes from players like Carlos Santana and David Gilmour (as well as jazz improvisers like Miles Davis).
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Let’s get a little more serious now. Finnish composer Kaveli Aho’s concerto for solo theremin and chamber orchestra (recording released in 2014, piece written a few years earlier), performed here by theremin all-star Carolina Eyck is an eight-part homage to Lapland, the most northerly region of Finland. Based on the eight-season division of the year, which is traditional for Lapland’s native Sami people, this work is dense with expressionistic harmony and icy, shimmering textures. It’s great, too, to hear the theremin being explored in all its range — often we only hear the middle and higher registers. In this piece, there are moments when the theremin takes on the sounds of other instruments, like the Chinese erhu or the viola, but also moments when it flutters like a bird. This piece is a real treat and a welcome introduction to the expansive oeuvre of Kaveli Aho.
With an emphasis on preserving the land they work on, and using their facilities in a way that provides maximum benefit to the artist with the least impact on the environment, Djerassi is situated on a 583-acre ranch in Northern California’s Santa Cruz Mountains. Their programs are open to national and international mid-career level artists, and residencies are awarded at no cost, for a range of sessions lasting anywhere from four to five weeks long.
This was an offer I sent to someone who said they could bring 300 people. So if they weren’t exaggerating, they would get the full guarantee, but this way I also protected myself if they were misrepresenting themselves.