Some songwriters say they have received amounts equal to a ten-year advance on royalties. The money has been used to take their career in a new direction, buy new equipment or fund a tour or music video. However, not everyone may have a roster of songs that will sell for enough money to pay the electric bill. Keep in mind that once you sell your rights to your intellectual property, you waive your right to collect any future royalties it may generate.
Outside of the basic major (Ionian) and minor (Aeolian) scale modes, the Dorian mode would be considered by many to be the most important diatonic mode in any improviser’s toolkit.
In Bach’s pre-Enlightenment time, understanding how and why he composed his music might lead contemporary composers to new and exciting areas. Learn more.
Hip hop old school rappers
For Lalita, a trained cellist, she is without work indefinitely and running out of money quickly as she shares all resources with family and friends in need. Sunday night, only hours after cooking at El Local, she suffered a panic attack, she says, which led her to make an agonizingly difficult decision.
Some of the stuff we’re working on these days (that I can speak of publicly!) is: a massive hip-hop compilation collected by the French producer Kyo Itachi; the first vinyl release of trance producers Hilight Tribe; a new release by the Berlin techno label Get Physical Music; two re-pressings with Rhythm Bomb; and many more.
To collect these royalties, songwriters must be registered with a performing rights organization, or “PRO.” These organizations exist to track, collect, and distribute public performance royalties. The U.S. PROs include ASCAP, BMI, and SESAC. In the UK, there’s PRS For Music, France has SACEM, Germany uses GEMA, and so on.
I’d say my biggest accomplishment was completing a two-week European tour through Italy and Austria with the modern jazz group PLS.trio, where I played some of the most challenging music I’ve ever played with some of the most talented, virtuosic players I’ve had the pleasure of sharing a stage with, but I could still hang and hold my own—even while playing to large crowds. I felt on top of the world at the end of that tour.
Learn about underwater acoustics and how sounds travel in different directions and across far distances via a marine audio highway called the SOFAR Channel.
Grants for anything
If you’re going to be playing country music with an electric guitar you’ll probably want to have just a touch of bite, or crunch on your guitar, with strong mids and not a lot of highs. An open-back amp can help diffuse some of the higher frequencies to give you a more muted tone. Country music also lends itself to lots of gigging, so I’d recommend an amp with a low wattage as well. Country music is obviously going to be played much quieter than punk or metal.
A further fragmentation of the material brings us to (d.). This rhythmic cell is then chopped into (d1.) and (d2.), which reinforces the sense of urgency. All this material is also subject to octave displacement and expansion of registers (0:59 onwards): From a low A3, the fragments are interspersed with notes in the upper octaves (A4, A5). The note A6 is presented as an interval of an octave (A5 and A6) with a leap in register (1:31).
Building confidence and shaking self-doubt is a process. It takes time and patience. Start with altering your thinking, altering your actions and reactions, and soon your feelings will follow. Don’t quit! Doing so would be denying your passion, and robbing the world of your sublime singing. And that’s just selfish — we can’t have that. Keep at it.
The problem is many of us don’t really think that way. My personal musical goal right now is to play piano like Errol Garner. How the heck do you start on that journey? Well, it begins with a process of breaking things down into smaller and smaller steps until you wind up with something that can be realistically accomplished in a practice session (or a few).
The short answer is: I don’t. I grade for effort, in a very coarse-grained way. If the student completes the project, following all the guidelines and requirements, they get full credit, regardless of the quality of the resulting music. (My assignment guidelines are always technical in nature; I don’t put any restrictions on musical style.) If students don’t follow the guidelines and requirements, or hand the assignment in late, or obviously half-ass it, I deduct points accordingly. I don’t give any consideration to the music itself when grading because then I’d just be grading on how closely the student’s musical taste is to mine, which would be arbitrary and unfair.