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I get that — creating something new is scary. You aren’t sure what people will think of it, and you’re worried it will be received negatively. There’s value in taking influence from your favorite musicians, but by copying them, you’re putting yourself in a position where if your music were to suddenly disappear, nobody would miss you as a guitarist because they can easily find your sound somewhere else.

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Dive deep into production-related topics like Modern and Advanced Mix Techniques, Songwriting for Producers, or Making Music in Logic Pro X, or work with a Soundfly Mentor directly to achieve a musical goal specific to you!

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The first two lines are matched with the same repeated musical phrase and end rhyme, and the second two lines have a new rhyme and a new melodic phrase.

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The bottom line is, a lot of banks don’t know what to do with you if you’re a working-class songwriter. If you’re one of the few who has major hits on the radio right now with gold records and Grammys adorning your office, they’re a bit more comfortable loaning you money. But for the vast majority of us, it may be a struggle. So what can a songwriter in your position do? Based on my own experience, I’m here to help you with a few tips.

Sometimes the bass sounds great merely doubling what is being played on the guitar — and especially when that guitar is being played by Jimmy Page. John Paul Jones actually had tons of bass-hooky songs, but here in “Over the Hills and Far Away,” the bass is a bit subdued throughout most of it — which makes this particular section stand out even more. That section is when Page climbs out of his solo with a three-octave arpeggiated run, and Jones follows alongside with a standard pattern of root-third-fifth-minor seventh across each octave, a mixolydian theme that would sound good in basically any context.

On this day, 57 years ago, James Brown and his Famous Flames recorded what would become one of the most earth-shattering funk and soul albums of all time.

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Speaking of doubling, here’s a great example of bass and vocals finding unison. Carol Kaye was a member of “the Wrecking Crew,” the famous group of LA-based studio musicians who played on numerous hit recordings throughout the ’60s and ’70s. Their cumulative work on several Beach Boys hits, including the legendary Pet Sounds album, is an important chapter in rock history.

If you are still unsure if your mix is ready for mastering, send it to the mastering engineer and ask their opinion. Any professional engineer will be able to help you catch potential issues in your sound and give you advice on how to address them within your mix to ensure best possible final results for your mastered song.

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.

While this technique may not work well for subtle genres like folk or jazz, excessive compression is commonly used in Top 40 genres such as pop, rock, and hip-hop productions to create powerful vocals that cut through busy arrangements.

Personally, I’ll be going with C major, because of two small details. First, the song ends on a C chord, which gives us a clue as to how the writer hears the song. Next, Halsey is singing “blue notes” from the C blues scale, which is something you can trust. But because the melody notes and loop notes make an A minor chord in first inversion, you could also hear that as an Am chord, and so an A minor tonality.